Our attention is finite, yet we spend it everywhere but where it matters. This is not a moral failure. It is a structural one. Attention economics is the idea that in a world overflowing with information, human attention becomes the scarce resource. Whoever captures it, holds power. Over time, this has reshaped not just markets, but inner lives. What we notice. What we ignore. What we can tolerate. What we can no longer sit with. For a long time, people warned that television would rot our brains. In hindsight, television looks almost generous. A show required you to stay for forty minutes. A film asked for two hours. A detective story invited you to notice details, to remember names, to hold multiple threads in your mind at once. You watched. You followed. You waited. Listening to music meant staying long enough to learn lyrics. Reading meant sitting with confusion until meaning arrived. Writing a poem meant wrestling with language, not skimming it. Even boredom had a purpose—it ...
There is something strange happening in Kenya’s YouTube world . A creator grows an audience, builds a loyal following, sometimes even becomes a household name—and then they disappear. No goodbye, no explanation, just silence. The channel remains, frozen in time, while subscribers remain subscribed, faithfully waiting. Unsubscribing from a channel takes less than a minute. Yet, somehow, it feels impossible for many Kenyans to press that button. Why? The Illusion of Relationship Part of it is the false sense of relationship we form with creators. In the comments you see it: “Any Kenyans here?” “I’m first today!” “Me coming back from work, dropping everything to watch.” These are not just casual comments. They reveal something deeper: people tying creators into the rhythms of their daily lives. The notification bell becomes a companion. The video becomes an evening ritual. The creator becomes, in some sense, a friend. So when a creator disappears, unsubscribing feels like...