If a child grows up to be kind, healthy, responsible, self-sufficient, and decent—but not wealthy—has the sacrifice failed? Most people would instinctively say no. Yet many families behave as though the answer is yes. Not openly, of course. No parent sits their child down and says, "I didn't raise you to be happy. I raised you to be rich." But expectations have a way of revealing themselves. In comparisons with more successful relatives. In questions about promotions, land, and home ownership. In the disappointment that hangs in the air when a child is doing well enough to survive but not well enough to transform the family's fortunes. And perhaps nowhere is this tension more visible than in Kenya, where sacrifice is often treated as the highest form of love. Parents sacrifice for their children. Older siblings sacrifice for younger siblings. Entire generations sacrifice in the hope that the next one will live better. But what happens when sacrifice quietly becomes an...
For the past month, I’ve been watching Netflix — something I rarely do. I don’t subscribe to entertainment platforms; I don’t binge shows; I don’t keep up. But this month, I scrolled, sampled, and let myself be carried through the endless conveyor belt of content. And somewhere between dating shows, scripted drama, and predictable plots, I realized something unsettling: so much of what we call “entertainment” isn’t reflecting life — it’s scripting it. The stories may look different, but the messaging is the same. A dating show in Los Angeles echoes one in Brazil, which mirrors one filmed in South Africa. And the formula hardly shifts: alcohol, tension, betrayal, temptation, chaos. Reality TV is not reality — it’s a machine of engineered dysfunction dressed as modern love. What surprised me wasn’t the drama. It was the consistency. Why do all these shows rely on the same emotional ingredients? Why is alcohol a permanent character? Why is infidelity an expectation rather than a...