Perhaps one of the most overlooked privileges is not wealth itself, but having enough margin in your life to respond to reality. Over the last few years, we have become fluent in the language of privilege, speaking easily about financial privilege, pretty privilege, racial privilege, passport privilege, educational privilege and social privilege, and in doing so we have become increasingly aware that people do not all start from the same place and that some doors open more easily for some than for others. Yet there is one form of privilege that seems to receive far less attention, and that is the privilege of being able to do something with the information you have, not simply knowing, but acting, because the truth is that information alone changes very little. We like to imagine that if people only knew better, they would do better, and entire industries are built around this assumption, from self-help books and documentaries to podcasts, awareness campaigns, public health initiative...
The other day, I read a Kenyan novel titled Sinners by Sarah Haluwa. It’s a bold book, layered with intimate scenes and themes that don’t shy away from the subject of sex. Once I was done, I shared it with two people, one of them my cousin. Both came back with the same verdict: filth. That word struck me. Filth. It’s not the first time I’ve heard Kenyans use such language. For a country where sex is ever-present — in our music, our comedy skits, on TikTok dances, in whispered gossip, and in the quiet confessions of “mpango wa kando” culture — how is it that we also consider it shameful, dirty, and even demonic? The contradiction we live in On one hand, our entertainment industry thrives on sexual innuendo. The most streamed songs are often laced with it. Content creators know that scandal sells; anything suggestive will rack up views. Advertisers slip it in subtly to grab attention. In private conversations, too, sexual humor dominates. Yet when sex is written into literature, wh...